The Essential Parts of a Rubab: A Beginner’s Guide to Terminology and Functions
Before diving into learning how to play the Rubab, it’s essential to familiarize yourself with the names and functions of its different parts. This knowledge will help you understand the instrument better and facilitate communication with instructors or sellers, especially since most Rubab makers and experts come from Pashtun-speaking regions in Afghanistan and Pakistan.
Rubab is the national instrument of Afghanistan, and many of its players speak Pashto. Understanding the terms in Pashto will be helpful when ordering parts or communicating with Rubab masters.
Below is a detailed guide to the key parts of the Rubab, including their Pashto names and functions:
Table of Rubab Parts and Their Descriptions
English Name | Pashto Name | Description |
---|---|---|
Rubab (Instrument) | رباب (Rabab) | The full instrument. Rubab is known as the national instrument of Afghanistan and played across Pakistan and North India. |
Main Strings | تار (Taar) | Melody-producing strings, typically made from gut or nylon. |
Sympathetic Strings | بچي (Bachi) | Also known as “Sim-e tarab”, these steel or bronze strings resonate with the main strings, enhancing the sound. |
Long Drone | شاتار (Shatar) | A steel string used to create drone sounds. |
Crown/Head | تاج (Taj) | The headstock of the instrument where the tuning pegs are located. |
Mother of Pearl Shells | صدف (Sadaf) | Decorative shells, often made of mother-of-pearl, placed on the Rubab’s body for aesthetic purposes. |
Full Sadaf Design | مکمل صدف (Mukammal Sadaf) | Full mother-of-pearl design on the fingerboard and other sections of the Rubab, purely decorative without affecting sound quality. |
Fret | پردہ (Parda) | Frets placed along the neck to help position fingers and produce specific notes. |
Tuning Pegs | غوږي (Ghwagi) | Tuning keys or “Gushak”, used to adjust the tension of the strings to change the pitch. |
Skin | پوست (Pust) | The soundboard of the Rubab, traditionally made from goat skin to amplify the sound. |
Bridge | ټټو (Tattoo), خرک (Kharak) | The bridge holds the strings in place and transfers their vibrations to the soundboard. |
Upper Bridge/Nut | تاج ټټو (Thaaj Tatoo) | The part of the instrument located at the top of the neck, supporting the strings. |
Beads | دانه (Danee) | Small decorative beads sometimes found on the Rubab. |
Fingerboard | تخته (Takhta) | The wooden surface on the neck where the strings are pressed to produce different notes. |
Black and White Stripes | سپين تور پټه (Spin Toor Patha) | Decorative black and white stripes that add visual appeal to the instrument. |
Pick/Plectrum | مضراب (Mezrab), شاباز (Shabaz) | The pick used to pluck the strings, often made of coconut shell, bone, or other hard materials. |
Neck | غړۍ (Gharai) | The long part of the Rubab that holds the frets and supports the strings. |
Bowl | کاسه (Kasa) | The hollow body of the Rubab that acts as the sound chamber. |
String Holder | سيم گیر (Targir) | Located at the bottom of the bowl, the string holder anchors the strings to the body of the Rubab. |
Explanation of Key Rubab Parts:
- Main Strings: These are the primary strings responsible for melody. Typically made of gut or synthetic materials like nylon, they vary in size and tuning based on the region and style of music played.
- Sympathetic Strings: Known as “Bachi” or “Sim-e tarab,” these steel or bronze strings vibrate sympathetically with the main strings, adding depth and resonance to the sound.
- Crown/Head: The top part of the Rubab where the tuning pegs are located. It is crucial for tuning the instrument and adjusting the pitch of the strings.
- Sadaf Design (Mother of Pearl): A decorative element that doesn’t affect the sound but adds an aesthetic touch. Some Rubabs feature full Sadaf designs across the body and neck.
- Bridge and Nut: The bridge, often made of bone, is essential for maintaining string tension and transferring vibrations to the soundboard. The nut, at the top of the neck, ensures proper string alignment.
- Skin (Pust): The soundboard, traditionally made from goat skin, helps amplify the sound. It’s crucial to care for the skin properly to maintain sound quality.
- Pegs: The tuning pegs are used to tighten or loosen the strings, allowing the player to adjust the pitch.
- Pick (Mezrab): Rubabs are typically played with a pick made from hard materials like coconut shell or bone. The pick significantly impacts the tone and playability.
- Neck and Bowl: The neck holds the frets and allows the player to press the strings to create notes. The bowl serves as the sound chamber, giving the Rubab its characteristic resonance.
Summary:
For a Rubab enthusiast or a beginner looking to learn this majestic instrument, understanding the names and functions of its parts is crucial. Whether ordering a new part or communicating with a Rubab master, knowing the Pashto terms can be very helpful. Each part of the Rubab plays a unique role in the instrument’s functionality and sound production. From the melody strings to the decorative Sadaf designs, each element contributes to making the Rubab a versatile and culturally rich instrument. With this guide, you can confidently explore and order specific parts of the Rubab online, ensuring you get the best out of your instrument.
Rubab and Guitar Parts Comparison Table
Below is a comparison of the different parts of the Rubab with their corresponding names in a guitar, helping guitar players to understand the Rubab terminology:
Rubab Part (English) | Rubab Part (Pashto) | Guitar Equivalent | Guitar Term |
---|---|---|---|
Main Strings | تار (Taar) | Melody-producing strings | Strings |
Sympathetic Strings | بچي (Bachi) | No direct equivalent | – |
Long Drone | شاتار (Shatar) | No direct equivalent | – |
Crown/Head | تاج (Taj) | Headstock | Headstock |
Fret | پردہ (Parda) | Frets | Frets |
Tuning Pegs | غوږي (Ghwagi) | Tuning keys | Tuning Pegs/Keys |
Skin | پوست (Pust) | No direct equivalent | – |
Bridge | ټټو (Tattoo), خرک (Kharak) | Bridge | Bridge |
Upper Bridge/Nut | تاج ټټو (Thaaj Tatoo) | Nut | Nut |
Fingerboard | تخته (Takhta) | Fingerboard | Fingerboard |
Pick (Plectrum) | مضراب (Mezrab), شاباز (Shabaz) | Pick | Pick |
Neck | غړۍ (Gharai) | Neck | Neck |
Bowl | کاسه (Kasa) | No direct equivalent | – |
String Holder | سيم گیر (Targir) | Tailpiece/String Holder | Tailpiece |
Key Differences and Similarities:
- Main Strings vs Strings: Both the Rubab and the guitar share melody-producing strings, though the material and number of strings may differ.
- Crown/Head (Headstock): Both instruments feature a headstock where the tuning pegs or keys are located.
- Frets and Fingerboard: The placement of frets and fingerboards is common in both instruments, making it easier for guitar players to understand Rubab’s structure.
- Tuning Pegs: These are used in both instruments to adjust the tension of the strings, allowing players to tune their instruments.
- Bridge and Nut: Both the Rubab and guitar have a bridge and nut, essential components for string alignment and sound production.
- Pick (Plectrum): The Rubab is played with a plectrum known as “Shabaz” or “Mezrab,” similar to a guitar pick used by guitar players.
- Neck: The neck of both the Rubab and guitar holds the frets and supports the fingerboard, where the player presses the strings to produce notes.
- Bowl: The Rubab’s bowl serves as a sound chamber, which has no direct equivalent in the guitar.
- String Holder/Tailpiece: Both instruments use a tailpiece or string holder to secure the strings at the bottom end.
For guitar players familiar with the structure and parts of their instrument, many of the core components of the Rubab, such as the strings, frets, neck, and tuning pegs, will be familiar. However, there are key differences, such as the Rubab’s unique sympathetic strings and bowl-like sound chamber, which have no direct counterpart in a guitar. This table will help bridge the gap for guitar players looking to explore the Rubab.
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